you & i

we are not made of wildflowers,
writhing & silver under a ghost
moon. sweet, please know
i am not the starlight & molasses
that glues together the broken china
in your chest.

you & i are not dripping with salt
water & sugar—
i am not the tea-green sea, nor you
the eye of the hurricane, nor we
the wind that teases the forest fire
until it devours the earth

& we do not have throats scraped bloody
from coughed-up knives
& we do not have the pale, pulsating lungs
of the banshee

& we are not fourteen-year-old
lovers in a cave that reeks of poison
& suicide blood.

our stomachs are ember-warm.
there is fresh bread on our tongues.

millennial monsters

because we are so stupid,

they think that

our weak hearts whimper

in our uninspired chests,

that our blood pools like sludge in our feet

and fingertips,

that we aim our smiles vapidly

at our front-facing cameras

to capture nothing more than our



because we are so stupid,

they give us no choice

but to fight like dogs for atlas’s position—


but it might look good

on our resume.

(now, because we are so stupid,

we wonder why our backs hurt,

why it’s so hard to enjoy the world

when it’s resting on our shoulders, why

no matter how brilliantly our resumes sparkle,

our phones sit


on our desks.)



because they are so stupid

we will keep smiling at the camera

because we like to see our own sharp teeth

bared at the world.

we will grow out our claws,

and we will howl our songs,

and our muscles will become strong from the weight

that we carry


and our mouths will never remain silent,

lips always touching, tongue

trapped by teeth,


we will tear through the red tape they’ve

stuck across our mouths,

and we will crack open our jaws

and show our bloody tongues to the world,

and prove

beyond the shadow of a doubt

that we, too, can

produce a pearl.

to read an alethiometer

dear moonfaced girl,

pig heart beating slow:

passion has never made the blood flow heavy

through your stagnant veins.

even the clean country air pollutes

your lungs

and tracing orion in the pinpricks up above on a clear night

won’t make your eyes look any prettier.

lies come easy on your tongue,

greed in your fingertips,

narcissism in every glance into the smudged silver

of a mirror;

you write poems

as though applying makeup–

everything in its place,

kohl thick,

mistakes purposeful and perfect,

all picked based on your mental snapshots

of the prettiest boys and girls.

you learned so well to show the world your beautiful portrayal

of someone else.

perhaps you will find yourself,

one day,

inkstained and feverish,

shocked with the rising of the sun,

words spilling onto the page with the truth

and veracity

that has always been missing.

perhaps you will surround yourself with ghost stories

and folklore and fairytales,

and find your heart waking up.

listen, now:

first it will match pace with the sea’s sighing waves,

then with the smack of running footsteps

on wet tarmac,

then with a bird’s wings


as it first takes flight.

perhaps you will realize that the brightly painted bottles

in your makeup bag

can help you show the world who you really are;

perhaps your lungs will finally expand

like the sped-up stop motion of a flower unfurling,

opening its face to the day;

perhaps, like lyra reading the alethiometer,

you will learn again

that which you always thought you knew.

the frustration will fade, dear heart:

just wake up.

a family portrait



my father is an electric guitar.

he spends most of his time displayed on the wall,

shining when the light hits him just so,

hovering in the perfect spot.

he is not new, but neither is he old–

used so rarely, he would gather dust

if he were not kept so pristine.

the only music i’ve ever heard him play is

carefully rehearsed,

read off a page of inky black notes,

perfectly following the italicized instructions,


con amore




i never understood the words,

but they nestled in my psyche anyway.


i always thought he would be better if the instructions

were tossed away

and he was played instead of displayed,

his strings singing the wordless tune

of a mouth that knew what it would say

if it only had a voice.




my mother is a little black book,

filled cover to cover with tiny, illegible handwriting.

there are notes scribbled in her margins,

lists of wishes both practical and fantastic placed in columns,

some crossed off, some forever untouched.

she has handmade calendars scrawled across her,

dates for travel to far-off places marked carefully in royal blue ink,

trips to be prepared for post-haste.

she is made up of half-formed sentences

and dreams that are yet to be

and knowledge that is hidden between her pages,

next to the wisdom

that the i ching gave her.




i am the mirror that sits in the downtown train station.

silver and smudged, with handprints and graffiti around my edges,

i reflect the frazzled glances and unconscious preening

of the people who scurry by, tickets and suitcases in hand.

i explain to the shadowed boy that he should sleep on the train;

his travels have made him too tired for words, and everyone can see it.

i mention to the girl with sixteen bracelets and a scar on her throat that

there are still traces of her mother in her face, connections that she thought

she’d lost.

a little girl giggles

when i point out the chocolate on her lips.

i play back the little wonders that i see every day,

but i have no voice to add to them,

no lungs to scream my passions,

no thoughts that can take an idea and twist it into something new

to touch the minds of those who hear it.

i am a reflection of what you already know

and i am as beautiful and as hideous as my surroundings


and when the station empties and the lights go dim,

i am nothing at all.

a lie that tells the truth

please don’t write me as a ghost girl,

all blurry lines and faded features

that caricature themselves into the minds

of those that think they see me–


i am not a canvas.

my life is not a blank sheet for you

to paint your vision across,

and i have no wires in my bones–

you cannot pose me so i’ll catch the light

just so,

like a kaleidoscope of clever quirks

and tragic backstories;


i am written in the words i discard

when i write bad poetry at 3am, and if you look,

you can find me echoed back to you

in my all time top five favorite movies.


i am the way my hands hurt

when i get nervous;

i am the urge to speak italian,

even though after a year of classes, i can barely

say hello;

i am the calmness that hits

when i smell cigarettes, even though

i’ve never smoked,

and i am the grudges that have lingered

because i forget to let things go,

and i am the passive-aggressive comments

that i should be sorry for, but

never really am.


if you want, you can trace your pen along

the creases of my skin,

the slouch of my spine;

you can read my past in old photo albums

and taste my lips at midnight

and listen to the stories that i whisper in the dark

but when the sun hits us in the morning,

neither of us will light up the room

in a cacophony of kaleidoscopic beauty;

we will be piles of bone and sinew and sighs,

with morning breath and books to finish and work to do.

we are not ghost people.

kiss me anyway,

and smile when i say hello.

through struggle to the stars

before you were born,

you scraped per ardua

ad astra onto the inside of your collarbone,

and injected glowing nebulae

in between your vertebrae

because you always loved finding shapes

in star clouds


and on your longest days now,

when the heat wraps its loving arms around you

in an embrace you can’t escape,

and the sun lays salty beads across your skin,

you trace your collarbone absently

and draw a little strength out of your spine


and you’ll stoop a little more with each passing year,

but that’s okay.

it just means the star stuff did its job right.

the boy with twelve bracelets

the cobwebs of your past cling

to the inside of your ribcage

and gently strangle your heart.


when i saw you for the first time

i had already known you for weeks,

taken part in your gorgeous

conversations and watched you spread

laughter like a perfect virus

among all the people you met.

you wore twelve bracelets,

six on each wrist;

once upon a time they served

to cover a mistake you made

when you were thirteen,

but it wasn’t a mistake now

so much as a story

about a boy who was brave enough to keep breathing,

and you kept the bracelets just because their memory annoyed you

when you took them off.


that was what you said, anyway.

then i learned how sure you were

that you were only pretending

to be brave.


you wore a mirror as a face,

silver and starlike,

molded to your features and well-rehearsed

in reflecting just what you

knew people wanted to see


and one night,

terrified of seeing nothing but myself

in you

[and greedy to see your face]

i smashed the mirror.


i expected you to scramble to pick up the pieces,

to yell,

to scream,

but you just stood there,

fully clothed and naked in front of me,

and for the first time you whispered about

those cobwebs in your chest,

how they were killing you slowly,

strangling you–

how your heart couldn’t beat right,

your lungs couldn’t breathe


so with guesswork in my eyes and hope on your face,

i told you differently.

i told you those cobwebs weren’t strangling you,

they were staunching your wounds–

filmy bits of cloth that beat off the scar tissue

whenever it tried to form,

keeping you forever alive

and forever dying.


broken glass crackled under my feet as i

pulled your lighter from your pocket

and placed it in your hand,


and, with the moon watching impassively,

you set your past alight.

your nails tore into my palm,

my shoulders,

my back,

as the infected bandages burned away,

and your wounds,

for the first time in six years,


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